MED · 09 service areas · Jupiter, FL 33477
Media
made in house.
Six disciplines, and the version where you need several at once. A media production agency with one lead per job and a roster we work with repeatedly — so the aerial matches the ground footage and the stills match the film.
A silver Super-8 movie camera hangs in the dark, body and grip cut at forty-five degrees, the barrel stepping down to a single green optic. The division's own instrument, and the only lit thing in the frame.
Cinematography
Commercial, documentary and narrative work, cut for the screen it will actually play on.
Cinematography: Read the full pagePhotography
Stills that hold up cropped to a square and printed at A1.
Photography: Read the full page
Drone
Aerial coverage graded to match the ground footage. Not bolted on afterwards.
Drone: Read the full pageCinema robotics
Motion control for the move a human operator cannot repeat twice. Same pass, frame for frame, as often as the shot needs.
Change the light, the product or the set, run the move again, and the plates still line up in post — which is what MED · Termcinema roboticsA camera flown by a programmable arm rather than by hand. Motion control and custom rigging: the machine holds the geometry, which is the part a human body is worst at and a lens cares about most. actually buys.
Cinema robotics: Read the full page3D + animation
Models, environments and animation built to render and ship, not to look good in a viewport.
3D + animation: Read the full pageAugmented reality
Digital elements placed into the real world, at true scale, on the device the viewer is already holding.
Augmented reality: Read the full pageVirtual reality
Environments a person can stand in, turn around in and judge at their own height, before anything is built.
Virtual reality: Read the full pageGraphic design
Hierarchy first. The eye goes where we sent it, at any size.
Graphic design: Read the full pageMedia
in motion.
Multi-media production
Most jobs need more than one of the above. One lead scopes the shoot, the stills, the aerial and the cut as a single delivery.
Every project is assigned an expert in that project’s own field — someone who already works in that world, not a generalist who has shot one before.
Multi-media production: Read the full pageFootage with nowhere to go is a hobby. Where it is aimed is the marketing division.
Shoot
one crew call
Stills
another one
Aerial
a third, and a licence
Cut
and somebody to own it
How a media job runs.
See the workRoster · 60+ individuals
One lead
The name on the call sheet is the name on the invoice, from scope through delivery.
Insured and permitted
We carry production insurance, and we obtain the permits and location delegation the shoot needs before the crew is called.
Licensed to fly
Anything that leaves the ground is flown by a Part 107 certificated operator, not by whoever brought a drone.
Files, not favors
The graded cut and the source files. Usage written into the agreement, not settled afterwards.
Where we are, and where that does not matter.
All four divisions — media, marketing, development and cybersecurity — are offered across South Florida, New York and Los Angeles. The map is narrower than that on purpose: it marks where the standing roster is concentrated today, not where the work is allowed to happen.
Tell us what has to exist.
Bring the deadline, the deliverable and where it has to run. We come back with the crew, the schedule and a number. Cinematographers, photographers, operators and retouchers: the roster is how you get in.
Or just email us — intel@marshallmedia.io