MED · Multi-media production
Four vendors,
or one.
Most campaigns need the film, the stills, the aerial and the design, and most of them get four separate bookings. The chasing that follows is on nobody's quote, and it lands on you.
MED · 09/09
- Route
- /multimedia
- Division
- Media
- Output
- 04
- Registers
- 04
- Status
- Productized
MED · 01
The coordinating nobody quoted for
Count the people you emailed to get your last campaign shot, then count how many of those emails were about scheduling rather than about the work. Four vendors are four calendars, four briefs, four invoices and one person chasing all of it. One scope, one lead and one delivery removes the chasing, which is the part that was taking the week.
MED · 02
An expert in your own field
Every project we take on is assigned an expert in that project's particular field. A music video, a compliance film and a resort campaign are three different rooms with three different sets of rules, and the person we send already works in the one you are in. That is not a scheduling preference — it is how the roster is built.
MED · 03
One scope, one delivery
The film, the stills, the aerial and the cut are scoped together and shot on the same days by a crew booked as one crew. What comes back is a single delivery, with usage settled in the agreement rather than negotiated after the ad has already run.
- One scope, one lead
- Combined crew
- Single delivery
- Usage-cleared files
MED · 04
Where the work is aimed
Production answers what gets made. What it is aimed at — which audience, which channel, which offer it has to carry — is a marketing question, and on the jobs that need it the two get scoped together rather than one after the other. Where it gets shot is a logistics line in the same document: a campaign is scoped once whether the crew stays in Jupiter or flies.
Where we are, and where that does not matter.
All four divisions — media, marketing, development and cybersecurity — are offered across South Florida, New York and Los Angeles. The map is narrower than that on purpose: it marks where the standing roster is concentrated today, not where the work is allowed to happen.
The rest of media.
MED · 09 service areas
- CinematographyCommercial, documentary and narrative work, cut for the screen it will actually play on.
- PhotographyStills that hold up cropped to a square and printed at A1.
- DroneAerial coverage graded to match the ground footage. Not bolted on afterwards.
- Cinema roboticsMotion control for the move a human operator cannot repeat twice. Same pass, frame for frame, as often as the shot needs.
- 3D + animationModels, environments and animation built to render and ship, not to look good in a viewport.
- Augmented realityDigital elements placed into the real world, at true scale, on the device the viewer is already holding.
- Virtual realityEnvironments a person can stand in, turn around in and judge at their own height, before anything is built.
- Graphic designHierarchy first. The eye goes where we sent it, at any size.
Proof · 02 collections