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Scandal Italy Spring '23 Campaign

A second season for the same brand is a different job from the first. Nothing has to be invented; everything has to be recognized. The Spring '23 campaign was shot to sit next to what came before it and still be new.

A second season for the same brand — photography and film shot to match the first campaign where it had to and to move where it was allowed to, and delivered cleared for paid and organic.

Collection
Fashion · 03 works
Frames
03
Format
Film · poster frame
Proof ofEditorial

What carries between seasons

Continuity between two campaigns is not a filter applied at the end. It lives in casting, in how close the camera stands and in the contrast the skin is graded to — the decisions a viewer never itemizes and always notices when they move.

New enough to be a campaign

The risk in a returning client is a second shoot that reads as the first one again. The guard against it is deciding in advance what this season is allowed to change — the location, the light, the pace — and then leaving the rest alone.

A season outlives its season

The set was delivered cleared for paid and organic, which is what lets a Spring campaign still be running in October. Assets that expire with the collection get used for a few weeks. Assets that do not keep working until the brand decides they are finished.

Frame 01 / 03

Scandal Italy Spring '23 Campaign — lead frame
Source
2880 × 1614
Scandal Italy Spring '23 Campaign — frame 2
Scandal Italy Spring '23 Campaign — frame 3

This one moves — the full reel returns with the site’s media phase. What you see above is its poster frame.

Fashion, in full

Pick the door that fits.

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